GEORGE P. BICKFORD CURATOR OF INDIAN AND
SOUTHEST ASIAN ART
CLEVELAND MUSEUM OF ART
ASSOCIATE PROFESSOR
INSTITUTE OF FINE ARTS AND DEPARTMENT OF
ART HISTORY, NEW YORK UNIVERSITY
COLLECTIONS CONSULTANT
DECCAN HERITAGE FOUNDATION, MYSORE
moderated by
GENERAL EDITOR
MARG
Date: 23rd January, 2026 (Friday)
Time: 6 PM (refreshments at 5:30 PM)
Venue: Lecture Hall, L D Museum, Ahmedabad
For more information, please contact:
Call: +91-9408536883 | WhatsApp: +91-7863040584
New ideas, modes of performance and even new forms of religious practice are reflected in the styles of Jain art that emerged after the 17th century. Sonya Mace, the George P. Bickford Curator of Indian and Southeast Asian Art, Cleveland Museum of Art; Dipti Khera, Associate Professor in the Institute of Fine Arts and Department of Art History at New York University; and Shobha Telangala, Collections Consultant, Deccan Heritage Foundation, Mysore —three writers of the essays in this pioneering volume will be in conversation with Naman P. Ahuja, the General Editor of Marg and a professor of Art History at JNU, on which biographies and narratives of karma, rituals and spiritual quests seem to show continuities with older times and what the innovations reveal about the shifts in Jain tradition.
Detail of a vijnaptipatra, letter of invitation, to the Jain
monk Vijaysenasuri with Mughal emperor Jahangir's farman, Usta Salivahana, Agra, 1610. Opaque watercolor
and ink on paper; 284.7 X 32.2 cm.
COURTESY LALBHAI DALPATBHAI MUSEUM, AHMEDABAD. LDII.542.